When we filmed the royal hotel we were very limited to what lighting was available. The only lighting that was available was mostly spotlights dotted around and natural light during the day.
We recorded the shots of the bar and hotel during the day which was useful as there was very low light in the bar due to the bar having a few spotlights at the back of the bar and at the back of the seating area with a couple of spotlights dotted around the middle.
We recorded the candlelight event at night so we had to turn the ISO on our DSLR's up to 3200 which meant that we had a tiny bit of grain. However you can't really see it once we colour graded the footage. So now I know that when I go out and film next time I will turn the aperture up as well to compensate for the poor lighting in the bar.
The night club parts were recorded in the basement so we had to turn the ISO up even higher to 6400 which made the footage look even more grainy, our client didn't have any other lights to turn on which made shooting customers dancing incredibly challenging as through our eyes it looked dark and through the camera it looked like we had not taken the lens cap off.
Thursday, 20 February 2014
Shotlist
. the first shot will be an establishing shot of the Royal Hotel then panning into the entrance, this will all be handheld.
. the second shot will be stills taken of the inner restaurant area building p to the night club stuff.
. the next shot will be montage shots of the bar so we might put the camera on the bar and get a shot of looking down the bar, and mainly wide shots of the bar area.
. the fourth shot will be a shot of the camera flying up the stairs of the hotel.
. now moving onto the nightclub stuff
. the first shot should be following people walking down the stairs and into the nightclub.
. the next shots will be montage shots and mostly improvised like various shots of the DJ
. The finishing shot will be a final establishing shot of the royal hotel.
. the second shot will be stills taken of the inner restaurant area building p to the night club stuff.
. the next shot will be montage shots of the bar so we might put the camera on the bar and get a shot of looking down the bar, and mainly wide shots of the bar area.
. the fourth shot will be a shot of the camera flying up the stairs of the hotel.
. now moving onto the nightclub stuff
. the first shot should be following people walking down the stairs and into the nightclub.
. the next shots will be montage shots and mostly improvised like various shots of the DJ
. The finishing shot will be a final establishing shot of the royal hotel.
Thursday, 13 February 2014
Location Report-EXT
Location:
The Royal Hotel (Exterior)
Address:
1 High
Street
Southend
Essex
SS1 1JE
Contact
Person:
Cherish Roach
Position:
Bar Manager
Electricity
Exterior location
No Electricity
Available/required
Audio
Road Nearby
Public noise
Possibly Construction
sounds
Lighting
Lots of Natural Light (if
shooting in the dark lights on sight)
No portable Lights
required
Set
Seafront in the
Background
Logistics
Close to college 10
minute walk
Wednesday, 12 February 2014
After Effects - Title sequence
Wednesday, 5 February 2014
Original Client Brief for Corporate Promo
this is the client Brief for my group. This is the client before the company went under new management.
Adobe After Effects - Camera Projection
This effect was created in Adobe After Effects using the camera projection technique. I had four different PNG files which where edited into different sizes. When you first import your footage into After Effects, it imports it as a 2D composition, so we had to create a virtual 3D camera in After Effects , in the camera creating options you can choose from various preferences like what lens you want on the camera, i picked the 35mm lens so it could pick up a decent amount of DOF (Depth Of Field). At the bottom of the viewing screen there is a button which should say active camera, when you click into that it opens a little tab which has options like top, bottom, left, right. i clicked on the top button which allowed me to see the composition from a birds eye view, once in this mode we could move each PNG image further back to create perspective. once all of the images were in the correct place i moved the focus point of the virtual camera to the furthest point which was the sky by clicking and dragging the middle crosshair to the back line which is the sky.
after this i key-framed the Y axis of the comp to make it look like the viewer is peeking over the wall, i also key-framed the aperture of the virtual camera so that at the start the sky is really out of focus and as the camera rises slowly the aperture returns to perfect focus.
Friday, 31 January 2014
My Groups Corporate Promo Production Schedule
Promo
schedule
1. Brief – 17/01/14
2. Pre-
production – 24/01/14
-
Script
-
Shot list
-
Storyboards
-
Location report
-
Sound track
-
Lighting plan
3. Shooting –
31/01/14
4. Post
production – 07/02/14
-
Editing
-
Sound
5. Re-shoot
(if needed) 09/02/14
6. Show client
rough copy, for Info on any changes needed – 09/02/14
7. Hand
in copy on DVD and upload video to
Facebook – week commencing 10/02/14
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